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From: mwr@mel.dit.csiro.au (Mark Rawling)
Here is an improved version of this superb song by Fates Warning. It sets the whole theme for the brilliant Ivory Gate of Dreams. I`m gonna go out on a limb and claim (near) note-for-note perfection on this one. (There`s a challenge for all you critics) Thanks to Tim Messick for his original tab and for his great taste. messick@maui.cs.ucla.edu =================================================== THE IVORY GATE OF DREAMS, Part I: Innocence Fates Warning Off the album "No Exit" (1988) =================================================== Acoustic, in classical style (nylon strings, preferably), ringing out. Tuning: All down one semitone: 6 - 1 = Eb Ab Db Gb Bb Eb ------------5-------3--1-----3-$----0---1-$---0--------------------------- -------1/3-------------------0-$--------3-$-------3--1-------------------- -------2/4-------------------0-$--------2-$----------------2-$------------ -----------------------------2-$--------0-$----------------2-$------------ ---0-------------------------------------------------------0-$------------ -------------------------------------------------------------------------- ------------5-------3--1-----3-$----0---1-$---0--------------------------- -------1/3-------------------0-$--------3-$-------3--0-------------------- -------2/4-------------------0-$--------2-$----------------------2-------- -----------------------------2-$--------0-$-------------------2----------- ---0-------------------------------------------------------0-------------- -------------------------------------------------------------------------- ---0-$--------------7--5-$------------------------------------------------ ---0-$----6---8--------5-$----------------8--7-$---5-3-6---------5-$----- ---5-$-----------------5-$-------------------7-$------------------5-$----- ---5-$-----------------7-$-------------------6-$---------------5---------- ---3-$------------------------8--7~-------------------------3------------- -------------------------------------------------------------------------- ---0-$--------------7--5-$------------------------------------------------ ---0-$----6---8--------5-$----------------8--7-$---5~~~(3)--3----0------- ---0-$-----------------5-$-------------------7-$-------------------------- ---5-$-----------------7-$-------------------6-$-------------------------- ---3-$------------------------8--7~--------------------------------------- -------------------------------------------------------------------------- Figure 1: Guitar I: |------------------------------------------------------------------------| |---------------1---------------1---------------0---------------0--------| |-----------2---------------2---------------2---------------2------------| |-------2---------------2---------------2---------------2----------------| |---0--------------------------------------------------------------------| |-------------------3---------------3---------------1--------------------| | | | Guitar II: | |------------------------------------------------------------------------| |---------------0---1~~-------------0------------------------------------| |-----------2-----------------------------------2-0-2--------------------| |-------2*----------------------------------------------2----------------| |---0**------------------------------------------------------------------| |------------------------------------------------------------------------| * 1st time only ** 2nd time only Guitar I: |------------------------------------------------------------------------| |---------------1---------------1---------------0------------------------| |-----------2---------------2---------------2-------0--------------------| |-------2---------------2---------------2---------------2----------------| |---0---------------3---------------2-----------------------2------------| |---------------------------------------------------------------3--------| | | | Guitar II: | |---------------------------------------------------0---1---0------------| |---------------0---1~~-------------3~----------1-3----------------------| |-----------2------------------------------------------------------------| |-------2*---------------------------------------------------------------| |---0**------------------------------------------------------------------| |------------------------------------------------------------------------| * 1st time only ** 2nd time only End Figure 1 Repeat Figure 1 Outro: Guitar I: |------------------------------------------------------------------------| |---------------------4-----------------------4--------------------------| |---------------2-----------2-----------2-----------2--------------------| |---------4-----------------------4-----------------------4--------------| |------------------------------------------------------------------------| |---2--------------------------------------------------------------------| | | | Guitar II: (picked with a slight delay) | |------------------------------------------------------------------------| |----4~---------0-----------2~----------------4~------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| --------------------------------------------------------0-$--------------- --------------------------------------------------------0-$--------------- ----------------------------------------0---------------0-$--------------- ----------------------------4---------------------------4-$--------------- ----------------2---------------------------------------2-$--------------- ----0---------------------------------------------------0-$--------------- =======///======= That`s it, but here are figure 1 and the outro for one guitar ... Figure 1: -------------------------------------------------------------------------- ---------------1---1-----------1---0-----------0---------------0---------- -----------2---------------2---------------2-----0-2-------2-------------- -------2---------------2---------------2---------------2------------------ ---0---------------------------------------------------------------------- -------------------3---------------3---------------1---------------------- ---------------------------------------------------0---1---0-------------- ---------------1---1-----------1---3-----------1-3------------------------ -----------2---------------2---------------2-------0---------------------- -------2---------------2---------------2---------------2------------------ ---0---------------3---------------2-----------------------2-------------- ---------------------------------------------------------------3---------- End Figure 1 Outro: -------------------------------------------------------------------------- ----4*----------0*---4------2*---------------4---------------------------- ---------------2-----------2-----------2-----------2---------------------- ---------4-----------------------4-----------------------4---------------- -------------------------------------------------------------------------- ---2---------------------------------------------------------------------- * Pick with a spare finger and slight delay -------------------------------------------------------0-$---------------- -------------------------------------------------------0-$---------------- ---------------------------------------0---------------0-$---------------- ---------------------------4---------------------------4-$---------------- ---------------2---------------------------------------2-$---------------- ---0---------------------------------------------------0-$---------------- Legend ====== ~~ = vibrato ^ = bend (amount marked above staff; 1/2 = half step, 1 = whole step) v = unbend (without re-picking note) $ = arpeggiated chord , / = slides p11 = pull off to fret 11 h13 = hammer on to fret 13 ....etc..... Have fun. I think this album (No Exit) is one of the best musical experiences of all time ... so I think I`m going to go listen to it right now! -Tim -- Tim Messick "In our lIFe.........there`s IF, messick@cs.ucla.edu In our beLIEfs......there`s LIE, In our buSINess.....there`s SIN, In our boDIEs.......there`s DIE." And I agree!!! (Get a load of Anarchy Divine, Cold Daze and Quietus) -Mark History: ======== Tim Messick messick@cs.ucla.edu ??/?? Original transcription Mark Rawling mwr@mel.dit.csiro.au 12/94 Corrections, single guitar parts
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